Victor Ketom is a multidisciplinary artist whose practice investigates the tension and interdependence between organic life and technological systems. Rooted in both physical and digital media, his work materializes in the form of sculptural objects, wearable artifacts, synthetic relics, and immersive installations. Through a language of 3D printing, recycled plastics, circuit boards, light, and augmented overlays, Ketom builds speculative ecosystems that reflect on memory, transformation, and perception in a post-natural world.

At the core of his artistic vision lies the question of whether nature and technology are destined for conflict or capable of co-evolution. His works — often presented as artifacts from futures that never fully arrived — suggest that digital systems may carry the residue of emotion, that synthetic surfaces may hold memory, and that artificial environments can host forms of silence, ritual, and presence. He often frames his pieces in ornate recycled structures, referencing baroque architecture not as nostalgia, but as an echo of cultural layering, decay, and reinvention.

Living and working in Bangkok, a city of extreme dualities — spiritual density amidst algorithmic speed — Ketom finds resonance in the coexistence of sacred temples and luminous skyscrapers, organic moss and fiber-optic cables. These contrasts are not aesthetic gestures, but fundamental to his process: he sees the collision between old and new, nature and machine, as a creative field of tension. His long-term body of work, Echoes of Eternity, continues this investigation — treating memory not as linear narrative but as atmospheric trace, scattered across physical and digital space.

His work traces the edges where decay becomes data, where flesh becomes interface. It asks nothing of the viewer — yet lingers, like a signal echoing through an abandoned system.

Mixed media, wearable sculpture, 3D-printed forms, augmented reality, physical installations, speculative artifacts.

Combining organic and synthetic materials – such as moss, resin, circuit boards, and baroque textures – to create tactile, immersive experiences that explore the intersection of nature and technology, the eternal and the ephemeral.