[ Artist statement ]
Victor Ketom is a multidisciplinary artist investigating the tension between organic life and technological systems. His practice spans sculptural objects, wearable pieces and immersive installations, using 3D printing, recycled plastics, electronic components, light and augmented overlays.
At the core lies the question of whether nature and technology are destined for conflict, or capable of co-evolution.
His works are presented as artifacts from futures that never fully arrived, exploring how digital systems may carry emotion, how synthetic surfaces can hold memory, and how artificial environments host silence and ritual.
Living and working in Bangkok, a city of extremes where spiritual density meets algorithmic speed, Ketom finds resonance in the coexistence of sacred temples and luminous skyscrapers, organic moss and fiber-optic cables. His work traces the edges where decay becomes data, where flesh becomes interface.
The practice runs across two parallel bodies of work
01
Echoes of Eternity
Works that hold time. Past, present and future folded into the same surface. Wall installations, mounted objects and sculptural forms that frame technology as memory and ask what remains after the system ends.
02
System of Touch
Works that hold the imprint of contact: between skin and synthetic surface, between body and material, between intimacy and protocol. Vessels, wearable sculpture, wall objects and figures that carry the trace of what was held, worn, or touched.
[ 2026 ]
2026 marks a moment of growth in the practice. New concept works stand alongside completed pieces from the past year: vessels, masks and wearable artefacts that established the material language. The new works expand that language into larger sculptural forms, charred materials, and free-standing compositions.